What are the advantages or inconvenients in using Sarge's switch compared to Hellfire's or Cheapthrill's?
Functionaly they're identical. You're creating a "film switch" using aluminum. Hellfire uses two pieces of flashing with a thin plastic separator to keep the two pieces from touching. Strike or squeeze the switch, the two pieces touch, the circuit is created, and viola! Let go, they spring back to their original, open circuit form. It's an extremely simple switch design. Sarge improved on it by using his acoustic cymbal as 1/2 of the switch, thus negating the need for 2 pieces of aluminum. I've done both methods for use with a grab choke (never used nor tested for edge hits since my Trigger IO doesn't support that) and they both work, Sarge's improvement is simply a time saver. But it only works with metal (acoustic) cymbals, and you have to have a screw in the cymbal or some other way to make contact with the cymbal itself so it can be used electrically for 1/2 of the switch. CheapThrill's is the same just on top of the cymbal which is easier to strike with the stick. Supposedly Sarge's, though under the cymbal edge, works too. But I'm assuming you have to really whack the cymbal, or have a thin cymbal that can flex under the strike so the cymbal can bend and touch the aluminum flashing.
The absolute best and most robust method for you to build a cymbal for use with your MegaDrum would be to use the 3-zone Yahama style. I'm speaking theoretically as I have not yet done this myself. But plan to.
It uses one piezo, and two switches, all wired to a single TRS jack. And can provide bell, bow, edge, and choke. It provides the most functionality using the least components and does it all while providing the best isolation (no crosstalk) since it uses a single piezo.
* Piezo goes on bow of cymbal, probably about 1/2 to 1/3 back from the cymbal edge, wired to Tip-Sleeve.
* Hellfire-type switch goes on playing surface along cymbal edge, wired to Ring-Sleeve with a 10K resistor. Strike it with stick to generate edge hit, grab it to generate choke. MegaDrum processes the strike VS grab intelligently to generate 2 different events using the same physical switch.
* Hellfire-type switch goes on the playing surface of the bell, wired to Ring-Sleeve, no resistor.
* The box you see is simply to provide protection to the piezo, jack wiring, and to provide something solid to install the jack into. You can put the jack on the cymbal, on the cymbal stand, or use no box at all. But without a box your piezo is exposed (not a real problem if the cymbal sits on the stand for all eternity), and you'll have to run your wires to the jack somehow. Or use no jack at all and just run the wires all the way to the MegaDrum plug, and connect them to the MegaDrum.
That's it. I'd probably just build all my cymbals that way and be done with it. The only disadvantage is that the surface mounted switches likely don't feel as good as a pure acoustical cymbal surface. But purely from a functional standpoint it'll provide the most functionality possible.
Here's the Yamaha cymbal schematic.
viewtopic.php?p=3878#p3878More general details and discussions on the Yamaha support
viewtopic.php?f=3&t=293&start=10&st=0&sk=t&sd=aI can say that building the triggers is a LOT easier than building a MegaDrum. The components are larger and easier to work with. The soldering is all soldering wires to posts, or maybe soldering 2 wires together. You could even use telecom crimps to join the wires if you wanted. All I am saying it's the triggers themselves is a great way to cut your teeth on soldering and understanding simple electronics (piezos, switches, positive, negative, a circuit, etc.) I've built a full 5 piece e-kit, another snare, and then another full 7-piece kit as you can see here:
http://www.vdrums.com/forum/showthread.php?t=42514I've spent far more time trying to build my MegaDrum that it took to convert my entire 7-piece kit to an e-kit.