Thanks for your response. Hopefully a few others will be helped as well. I follow most of your responses or figured the answers would be as such, but nice to have someone else explain them.
ibanman555 wrote: For starters, please inform us what type of MD you have, and what virtual instrument (drum software) you're using. It matters...
Added to my signature.
I am trying to avoid drum VSTs to use an Ableton drum rack directly. The Ableton rack is the non-VST VST or MIDI device. Works, except that the hi hat is killing me at this point. Some of the language, and/or lack of it, for config setup is making this hard for me too as I can only deduce so much given my current background knowledge. I can start an Ableton post elsewhere or find one and add to the discussion so you can see what I see in Ableton. Not sure it matters just yet.
ibanman555 wrote:
The physical 1st connection is for the hi hat pedal. Do not count this as #1. So, kick would be a mono channel, yes. #2 is the first stereo input, in this case, default for hi hat. Use this for your pads.
"2. Kick 3. HiHat" was my setup, but I started second guessing myself due to my hi-hat struggles (30+hours? of reading and tweaking). dimitri saying "It is set to input 2 by default which is a default HiHat cymbal input" did not help. That is flat out confusing as 2 ≠ 3. Thus my need for clarification. I assume he means 3, not 2, but I'm still uncertain at this point.
ibanman555 wrote:2)...You'll probably want to choose yes, as it provides you with more options and control for your hi hats.
That was my deduction, but I wanted to tackle that after I got it working without the new algorithm to begin with. Right now it's a land of more settings I might not grasp or they may actually mess up the simpler route. I do plan to investigate later, but was mostly curious if it is not needed for some cymbal or pad makes/models.
ibanman555 wrote:5) ...pick some random spaced out numbers between Velocity 0-127 for these. These are the pedal position numbers, telling Open, SO, SO2, etc when to play their assigned Note numbers. Play your hi hat and make adjustments that "feel right". Or, divide 127 equally by 6.... Your choice. The hi and low setting numbers have absolutely nothing to do with velocity numbers. Sorry you did all that math
They aren't really velocities right, you do mean position numbers? I assume feel is the way to go, but thought I would start with some arithmetic
or maybe get used to that position setup/feel (as a starting point at any rate).
ibanman555 wrote:8)ShrtChckTh stands for Short Chick Threshold...
I don't see "Shrt"(short) except in the config directions. Wondering if it is a typo. It is not in my MDMFX (or I am looking past it).
ibanman555 wrote:9)...velocity between 1 and 64 depending on the speed...velocity between 1 and 127 depending on the speed with which the pedal is pressed.
Is "Time Delta" in the Raw MIDI in MDMFX the velocity? I can't figure out how to see "velocity" in MIDIOX either. Or are they the numbers on the MDMFX Visual MIDI?
ibanman555 wrote:10) If you're using a VH-12, you don't have a bell trigger so you can ignore it.
Yeah, bummer, this was helpful:
https://www.wikiwand.com/en/Roland_V-Drums Didn't realize my vh12 edge was a switch until recently.
ibanman555 wrote:11)...When all hi hat notes in MD are assigned to these (all Edges are assigned same Edge trigger note, and all Tip are assigned same tip note) Superior Drummer listens and hears the same note, and the Pedal CC change is responsible for changing the sound...
OK, now the settings you sent me make sense. I was like wtf, must be a VST thing. That said, the Bell is irrelevant for me, and I was already on the logical right track of all Bow and Edge being the same. i.e. all edges 37 all bows 36
I'm still unclear on chick and splash notes/#, but assume they can be whatever note/# I want and I can add whatever cymbal sound I want in Ableton. However, I still don't follow dmitri: "Chick and Splash are for the whole of HiHat (generated from pedal movements) so they don't have separate notes for cymbal zones" ibanman555 wrote: "what do I assign the notes to under the Pads window for Hi Hat?" dmitri: "To the notes for the open HiHat cymbal sounds." Perhaps this is preference, but would think they could be different sounds if desired. **Otherwise it seems he is saying Chick and splash would be the same as the "open note (not note"s" by the way) which would be whatever sound (not sound"s") is linked to the note/# for the Head/Bow, which is the "open" sound, no?**
ibanman555 wrote:It took 8 years because... The documents explain how the settings work, not how to use them. This is not plug and play, and it takes time...
Similar for me, but over a shorter time span.
I have spent a lot of time reading and re-reading the config info, and scouring the web and the forum. I think I have spent over 30 hours on the hi-hat alone. Some settings are fine, explained well, clear (to me anyway), and some are honestly very lacking even on the "how they work" front. There seems to be a dearth of info beyond the site and forum, even YouTube of all places. One of my intentions, if I ever master MDMFX, is to add to the setup knowledge how-to because it has been such a chore for me. I can't be the only one that has struggled or settled with settings that could be better given how much control there seems to be. Overall it is a fairly simple machine, (most) settings too.
I had little faith, or more hope than faith, that MegaDrum was what I needed as I was tired of the corner using two older Roland brains put me in. I was skeptical with MegaDrum even after poking around, until it arrived and mostly worked. The unit dimirti built is beautiful. That helped my faith, but looks aren't everything. I don't know how many units have been bought or built, how many people actually use them daily or weekly, how many people have given up, or if any of that is an indication of how good it is or might be, but like most open-source like projects it takes a few dedicated believers and fans to make it better. Thanks to you and others here for making it happen.